On Call, Vol. 2, No. 3 - From the Personnel Department - Profile: Mark Tinker - Wise Guy With a Heart

From On Call: The Official Newsletter of the St. Elsewhere Appreciation Club, volume 2, number 3, December 1998.

He was born into television royalty, yet had to make his own success. His work is very public, yet he maintains a low profile. He is boisterous, yet quiet, and sardonic yet sensitive. These and other incongruities are why John Tinker lovingly boasts of his brother, "There's nobody like Mark."

Grant's Gang - Jodie, Mike, Mark, John

"SKINNY THE GANGSTER"

Mark Tinker was born in 1951 to mother, Ruth, and legendary television genius Grant Tinker. The oldest of four children, Mark and his siblings: Mike (born 1952), Jodie (1954), and baby brother John (1958) grew up in Darian, Connecticut not far from New York City on Long Island Sound.

RUTH TINKER FRICKE ... "Mark always had a good work ethic, I never had to tell him to do his homework."

JODIE TINKER DeLELLA ... "He was really good in school, he got good grades."

RUTH TINKER FRICKE ... "He watched Howdy Doody and Soupy Sales, but he would not sit there like the kids do today and watch cartoons. We would watch cartoons during supper, because it made the kids eat faster (laughs)."

And the faster they ate, the faster they could get back to the family pastime - sports.

JOHN TINKER ... "Mark played Little League and Babe Ruth when he was very young. I remember swimming. All of us swam on the swim team. And I remember Mark as a very good swimmer. He was very slight, I mean, a good gust of wind would put him across the field."

RUTH TINKER FRICKE ... "He loved athletics, he played baseball, but not football because he was too skinny."

And though skinny, Mark overcame his size to excel in many sports. What he couldn't quite overcome, though, was the divorce of his parents.

GRANT TINKER ... "We lived in Connecticut and I worked in New York - the commuting wasn't very good for the marriage (or the kids). It meant that I left early in the morning before they were up, and got home at night frequently after they had gone to bed. So I had far too little time with them, and I feel like I was sort of an absentee father. I used to spend far too much time working and far too little time doing the more valuable things."

On Call, Vol. 1, No. 2 - Medical Histories: St. Elsewhere Resuscitated

From On Call: The Official Newsletter of the St. Elsewhere Appreciation Club, July 1997, volume 1, number 2.

"The Magnificent 7" - Masius, J. Tinker, Paltrow, Fontana,
M. Tinker, Eglee, Gibson

It is difficult to imagine now, but there almost wasn't a second season for St. Elsewhere. Many people credit Grant Tinker with saving the show, but others played key roles as well, including someone named Tartikoff. To understand the story behind St. Elsewhere's now famous "near death experience", ON CALL spoke with some of the folks whose lives were forever changed during the Spring of 1983.

MARK TINKER (Producer/Director, St. Elsewhere / Executive Producer, NYPD Blue)
"What happened is we were having really tepid ratings and going no place fast, and the Network was not really returning our calls... nothing much was going on. So John Masius and Tom Fontana (no longer under the aegis of Brand and Falsey) wrote an episode (#22) of that first year that I directed, that was very unlike everything else. It was more hopeful, it was brighter. It ended with the birth of Morrison's baby and, at the end, everyone "toasts to life", which was not such subtle irony (because) we were hoping the show would survive."

Still the was no word on renewal, except for speculation that "no news was bad news".

ED BEGLEY
"I don't remember it ever being officially canceled. I just remember Bruce Paltrow saying 'It doesn't look good'."

MARK TINKER
"So Bruce went to Paris and Tom Fontana went back to New York and John Masius went to Hawaii, and I'm by myself in the office sort of cleaning up loose ends, and show #22 airs. We get like a 26 share which was 10 points higher than we had been getting - maybe more, and that, coupled with Lilly Tartikoff saying to Brandon 'this show is great!...If this is what they're trying to do with it, you've got to pick it up!'."

Enter "Tinker the elder".

MARK TINKER
"My old man was in the meeting where they (NBC) were programming, and he picked up the little magnetic piece that said "St. Elsewhere", and he stuck it on the board and said, "This is coming back!' I didn't find out until many years later that he saved it."

Some critics have suggested that Grant's courageous decision might just have been a favor to his son... a claim that Mark disputes.

MARK TINKER
"He didn't even want me to come to the Company in the first place. He had to be talked into it by Arthur Price, who at the time was the number two guy (at MTM)... he didn't want nepotism... so it was very unlike him to (interfere)."

Prior to that fateful NBC programming meeting, though, most of St. Elsewhere's cast and crew had assumed the worst, and decided to move on with their lives.

TOM FONTANA (Writer/Producer, St. Elsewhere / Executive Producer, Homicide)
"You have to understand I had been a starving playwright in New York, so after the first season of St. Elsewhere, I had already made more money in one year than I could have ever conceived of that I was ever going to make in my lifetime. So I came back to New York the happiest little boy there was because I had money in the bank, and I was married to a woman I loved (Sagan Lewis), and I thought 'wasn't that a great experience!', and I was out of television. I was finished. I had said goodbye to everybody, and I was gone."

MARK TINKER
"So I got the call and everyone was gone. Now I'm calling everyone around the country saying 'hey, hey, we're back! Get back and write!'."

TOM FONTANA
"Well, I'm sitting there at the Writer's Theater, which is a theater I was involved in here in New York, and the phone rings and it's John Masius, and he goes, 'Guess what?' I said, 'What?'... he said, 'We're doing it again.' And I was like 'What are you talking about?' And John said, 'You've got to come back to California'. And that was scary because Falsey and Brand were gone and NBC waited until the last minute, so we virtually had no lead time. This was late May (and we always start shooting in July), so we had no time to write anything. We had no stuff... We had nobody. Basically, in terms of the staff, it was Paltrow (who wasn't writing at that point), Mark - who was occasionally writing, and Masius and me. Well, I got on a plane as fast as my little butt could get me on a plane, and I got to L.A. and Masius and I started writing. I think we wrote every day, weekends included, for six months. I mean, we never saw the light of day, because once we started, the race was on, and you couldn't stop. I mean, the wonderful thing about Bruce is, Bruce says 'You're a writer, I'm paying you to write, so write!' So you'd be in this kind of forced march behind Caesar, going, Well, Caesar's going to the Rubicon, I guess we're going too, you know (laughs). That's the kind of leader he is, I mean, you don't think about the consequences, you just jump."

Meanwhile, cast members, unaware of the writers' panic in progress, were being notified to return.

BONNIE BARTLETT
"Well, we thought it was canceled. Bill had made some money - our boys were older, so we decided to go to Europe, and we went to Italy. And when we got back to the airport in New York, we called our son Robert and said 'Well Rob, we're back and we'll be home' and he said 'Your show got picked up'... and that's how we found out. Robert had taken the call from Bill's agent. It surprised us, we thought it was gone - we weren't counting on it at all."

ED BEGLEY
"I always knew we'd be picked up... Bruce said I was crazy for saying that. He had said, 'We don't have a prayer.' I am generally an optimist... I knew it would be picked up."

Thus, St. Elsewhere was resuscitated through a team effort with episode #22 serving as the catalyst. Credit went to: new writing, new direction, strong performances, a network executive's wife cheerleading from the sidelines, and Grant Tinker sticking his neck out.

MARK TINKER
"He sort of championed us. And as it turned out in the course of the six years our demographics (were strong)... if we were getting a 24 share, which was about our average, it really sold like a 30 or 32, because our viewers had the money and the intelligence, so at the time it was one of NBC's best demographically-oriented shows."

And so, here's to Mark, Tom and John... and here's to Grant and Lilly... and here's to everyone who helped revive television's greatest drama. Here then, is a "Toast of Life!".

Originally produced by Longworth Communications.